Those Crazy Anti-Authoritarians

Some fascinating thoughts about psychiatry and anti-authoritarianism:

Gaining acceptance into graduate school or medical school and achieving a PhD or MD and becoming a psychologist or psychiatrist means jumping through many hoops, all of which require much behavioral and attentional compliance to authorities, even to those authorities that one lacks respect for. The selection and socialization of mental health professionals tends to breed out many anti-authoritarians. Having steered the higher-education terrain for a decade of my life, I know that degrees and credentials are primarily badges of compliance. Those with extended schooling have lived for many years in a world where one routinely conforms to the demands of authorities. Thus for many MDs and PhDs, people different from them who reject this attentional and behavioral compliance appear to be from another world—a diagnosable one.

I would argue this attitude extends to anyone with a university-level education these days, as basically the only requirement to get a degree is compliance with a rather arbitrary set of standards.  The more systemized education one gets, the more ingrained this thought process becomes.

Many anti-authoritarians who earlier in their lives were diagnosed with mental illness tell me that once they were labeled with a psychiatric diagnosis, they got caught in a dilemma. Authoritarians, by definition, demand unquestioning obedience, and so any resistance to their diagnosis and treatment created enormous anxiety for authoritarian mental health professionals; and professionals, feeling out of control, labeled them “noncompliant with treatment,” increased the severity of their diagnosis, and jacked up their medications. This was enraging for these anti-authoritarians, sometimes so much so that they reacted in ways that made them appear even more frightening to their families.

The potential for positive feedback here, not just on an individual level, is frightening.  We saw this on grand display in America, and sadly not the only instance of it, during McCarthyism.  Anyone who spoke out against the inane Communist-hunt was immediately branded a Communist.  Like quicksand, the more you struggled against the brand, the more forcefully it was applied.

In an earlier dark age, authoritarian monarchies partnered with authoritarian religious institutions. When the world exited from this dark age and entered the Enlightenment, there was a burst of energy. Much of this revitalization had to do with risking skepticism about authoritarian and corrupt institutions and regaining confidence in one’s own mind. We are now in another dark age, only the institutions have changed. Americans desperately need anti-authoritarians to question, challenge, and resist new illegitimate authorities and regain confidence in their own common sense.

The problem with a culture devoid of anti-authoritarians is twofold.  First, I know very few successful people who have lived lives suppliant to authority.  To do so necessarily means to sidestep innovation.  After all, the reasonable man adapts himself to the world and the unreasonable one persists to adapt the world to himself. Therefore all progress depends on the unreasonable man.

Second, those that have lived lives as authority dictates usually did so with the hopes of eventually wielding that authority.  Whether it’s the first year professor slogging through the least desirable courses in the hopes of one day making tenure or dean, or the associate hoping to make partner, or the politician hoping to become judge, or senator, or president, shockingly, once he obtains some level of power, the rules he followed to get to that position no longer apply to him.

In a community where there are no voices to shout down that authority, and worse, where the rest of the community would shout down any potential dissenters, regardless of the leader’s actions, the only possible outcomes are bleak.

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Productivity Tips, From 1932

Despite, or in fact because of, the 80 years of technological advancement, these tips are even more relevant today.  Courtesy of Henry Miller:

COMMANDMENTS

  1. Work on one thing at a time until finished.
  2. Start no more new books, add no more new material to “Black Spring.”
  3. Don’t be nervous.  Work calmly, joyously, recklessly on whatever is in hand.
  4. Work according to Program and not according to mood.  Stop at the appointed time!
  5. When you can’t create you can work.
  6. Cement a litter every day, rather than add new fertilizers.
  7. Keep human!  See people, go places, drink if you feel like it.
  8. Don’t be a draught-horse!  Work with pleasure only.
  9. Discard the Program when you feel like it — but go back to it next day.  Concentrate.  Narrow Down.  Exclude.
  10. Forget the books you want to write.  Think only of the book you are writing.
  11. Write first and always.  Painting, music, friends, cinema, all these come afterwards.
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What Is The Web?

Many of us spend the majority of our lives online now.  It’s therefore pretty important to understand just what the web is.  One possible definition:

The web is not, despite the desires of so many, a publishing medium. The web is a customer service medium. “Intense moderation” in a customer service medium is what “editing” was for publishing.

. . .

Create a service experience around what you publish and sell. Whatever “customer service” means when it comes to books and authors, figure it out and do it. Do it in partnership with your readers. Turn your readers into members. Not visitors, not subscribers; you want members. And then don’t just consult them, but give them tools to consult amongst themselves. These things are cheap and easy now if you hire one or two smart people instead of a large consultancy. Define what the boundaries are in your community and punish transgressors without fear of losing a sale. Then, if your product is good, you’ll sell things.

Paul Ford

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Make The Secret A Lot More Trouble Than The Trick Seems Worth

Good advice for magic, and life:

Make the secret a lot more trouble than the trick seems worth. You will be fooled by a trick if it involves more time, money and practice than you (or any other sane onlooker) would be willing to invest. My partner, Penn, and I once produced 500 live cockroaches from a top hat on the desk of talk-show host David Letterman. To prepare this took weeks. We hired an entomologist who provided slow-moving, camera-friendly cockroaches (the kind from under your stove don’t hang around for close-ups) and taught us to pick the bugs up without screaming like preadolescent girls. Then we built a secret compartment out of foam-core (one of the few materials cockroaches can’t cling to) and worked out a devious routine for sneaking the compartment into the hat. More trouble than the trick was worth? To you, probably. But not to magicians.

Teller, of Penn &  Teller

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Thanks, for Modernity

On April 14, 1851, Dora Dickens, the ninth child of Charles Dickens, died unexpectedly.  The next morning, Charles wrote to his wife, who was away recuperating from her own illness.  Dickens softens the blow, telling his wife not that she had lost her infant child, but that she should be prepared for that possibility:

But I cannot close it without putting the strongest entreaty and injunction upon you to come with perfect composure—to remember what I have often told you, that we never can expect to be exempt, as to our many children, from the afflictions of other parents—and that if—if—when you come, I should even have to say to you “Our little baby is dead”, you are to do your duty to the rest, and to shew yourself worthy of the great trust you hold in them.

There’s a few interesting things to note here.  First, Dickens reminds his wife that “we can never expect to be exempt, as to our many children, from the afflictions of other parents”.  Early, incurable death was simply a large part of life in Dickens’ day.  He was thankful that it had not visited upon his other children.

Second, it’s almost impossible to imagine the isolation that existed just a few generations ago.  Imagine traveling what amounts to a two or three hour’s drive away, and legitimately not knowing whether your pre-departure conversation would be the last time you spoke to a loved one.  One nasty infection, and your wife or child might be dead before the post could arrive.   Car accidents and heart attacks keep this possibility alive today, but the odds of being incapable of communicating with those you’d like to are remote.

So, thanks Agostino Bassi, John Snow, and those who came after.  Thanks Samuel Morse, Alexander Graham Bell, and everyone who stood on their shoulders.

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Creativity in Isolation

There’s been a lot of talk in the last few years about the benefit human interaction lends the creative process.  The thinking goes that experts in one field, when interacting with experts in some other field, will find new ways to look at their problems, and come up with new ideas.  This makes sense, and is allegorically backed up by lots of examples of this actually happening.

So, of course, the message that was carried away was to get out and interact.  Network outside your field.  Discuss.  Engage.  Nevermind the fact that nearly everyone tends to remain in their own comfortable circles, this advice overlooks something even more important.  First, you have to be an expert.  And, to be an expert, you need to slog through lots of hours of study and practice, often alone:

Most inventors and engineers I’ve met are like me — they’re shy and they live in their heads. They’re almost like artists. In fact, the very best of them are artists. And artists work best alone — best outside of corporate environments, best where they can control an invention’s design without a lot of other people designing it for marketing or some other committee. I don’t believe anything really revolutionary has ever been invented by committee… I’m going to give you some advice that might be hard to take. That advice is: Work alone… Not on a committee. Not on a team.

– Steve Wozniak, iWoz

Woz might seem to be going directly against the “creative interaction” hypothesis here, but I don’t think he is.

Doing work alone and interacting with other experts are not mutually exclusive.  You can interact and share ideas all day long.  That doesn’t have to turn into designing by committee.  You can then go home and use the new ideas you’ve gained, in the privacy of your own thoughts, to make something great.  Great work requires both.

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Level of Difficulty Matters

Doing the same easy thing over and over again doesn’t usually lead to success.  Of course, neither does taking on impossible tasks that never get off the ground.

The better way is to constantly take on those things that seem at the edge of, or just beyond, your capabilities or skill level.  It’s usually tough to tell exactly where this edge is, but if you’re a little uncomfortable, if every day is a little tough, then you know you’re in the right area.

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How To Not Get Sick

I haven’t had a cold in three years.  I haven’t had the flu in… I honestly don’t even know how long.  I touch door handles (gasp!).  I shake people’s hands all day long (swoon!).  I eat stuff that falls on the floor.  What’s my secret?

First, I don’t constantly think about getting sick.  Second, I get an adequate amount of sleep:

Prof Erol Fikrig, who conducted the study at Yale University, said they had found a “direct molecular link between circadian rhythms and the immune system”, which could have “important implications for the prevention and treatment of disease”.

He added: “It does appear that disruptions of the circadian clock influence our susceptibility to pathogens.”

Not much to it.  The sleep is critical, but I really do think the mental aspect plays a bigger role than people might think.  Nobody seems to get sick more often than the people who are always advising you not to do this or that, for fear you’ll catch a bug. Those of us who never think about it seem to do just fine.

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The Passion Myth

Find something you love, and you’ll never work a day in your life.

Right?

Bullshit.

Nobody on Earth wakes up every single day restlessly waiting to take on the world.  Such passion doesn’t exist.  If you’re really, really lucky, and if  you’ve crafted your life well and built skills that suit you and installed a good support system around you, you might feel this way a few days a week.  Maybe.

But there’s still a huge part of life that’s uncomfortable.  The logistics alone are rarely enjoyable: getting the permits, or the approval, or all your ducks in a row, or everybody on the same page: this part of any project is frustrating and not rewarding in the moment.  On a more fundamental level, accomplishing great, fun things is impossible without risk and without exposing ourselves to the chance of failure.  These, not surprisingly, are the two things we’re hard-wired to avoid.

So what?  When did we decide that hard, uncomfortable work is bad?  Our opportunities exist precisely because things are hard and uncomfortable.  If they were easy and fun, somebody else would have done them.

Ignore the discomfort.  Do the work.

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What You Should Focus On

A good reminder:

Things You Should Focus On

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How To Measure A Man

Two quick shortcuts:

How did his kids turn out?  (and what kind of relationship do they maintain)

How scared of him are his employees/subordinates?

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A Brand

A brand is the perception that you are the only one who can solve their particular problem.

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Pursuit of Truth

The true value of a man is not determined by his possession, supposed or real, of Truth, but rather by his sincere exertion to get to the Truth.  It is not possession of the Truth, but rather the pursuit of Truth by which he extends his powers and in which his ever-growing perfectibility is to be found.  Possession makes one passive, indolent, and proud.  If God were to hold all Truth concealed in his right hand, and in his left only the steady and diligent drive for Truth, albeit with the proviso that I would always and forever err in the process, and to offer me the choice, I would with all humility take the left hand.

Gotthold Lessing, Anti-Goeze (1778)

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The Element of Surprise

A really insightful email from Teller, of Penn & Teller fame, where he responds to a struggling magician’s request for advice on how to develop his stage presence and style.  A couple things to note: first, Teller is a celebrity, if not in the mainstream certainly in the magic world, and yet Brian’s email elicits a 45-minute response.  A great example, if a bit lengthy, that a targeted question will usually get you a response.  Second, for a guy who makes his living by not talking, he sure does have a lot to say.  Awesome guy.  Third, his advice is universally applicable.  Surprise delights wherever it is uncovered.

Remind yourself of a few things.

I am 47.  I have been earning my living in show business for twenty years.  I have been doing magic since I was five, which makes it 42 years.  And I had the good fortune to (a) meet Penn and (b) become an off-Broadway hit at the exact right moment in time.

When we started we HAD no style, no understanding of ourselves or what we were doing.  We had feelings, vague ones, a sense of what we liked, maybe, but no unified point of view, not even a real way to express our partnership.  We fought constantly and expected to break up every other week.  But we did have a few things, things I think you might profit from knowing:

We loved what we did.  More than anything.  More than sex.  Absolutely.

We always felt as if every show was the most important thing in the world, but knew if we bombed, we’d live.

We did not start as friends, but as people who respected and admired each other.  Crucial, absolutely crucial for a partnership.  As soon as we could afford it, we ceased sharing lodgings.  Equally crucial.

We made a solemn vow not to take any job outside of show business.  We
borrowed money from parents and friends, rather than take that lethal job waiting tables.  This forced us to take any job offered to us.  Anything.  We once did a show in the middle of the Benjamin Franklin Parkway in Philadelphia as part of a fashion show on a hot July night while all around our stage, a race-riot was fully underway.  That’s how serious we were about our vow.

Get on stage.  A lot.  Try stuff.  Make your best stab and keep stabbing.  If it’s there in your heart, it will eventually find its way out.  Or you will give up and have a prudent, contented life doing something else.

Penn sees things differently from the way I do.  But I really feel as if the things we create together are not things we devised, but things we discovered, as if, in some sense, they were always there in us, waiting to be revealed, like the figure of Mercury waiting in a rough lump of marble.

Have heroes outside of magic.  Mine are Hitchcock, Poe, Sophocles, Shakespeare, and Bach.  You’re welcome to borrow them, but you must learn to love them yourself for your own reasons.  Then they’ll push you in the right direction.

Here’s a compositional secret.  It’s so obvious and simple, you’ll say to yourself, “This man is bullshitting me.”  I am not.  This is one of the most fundamental things in all theatrical movie composition and yet magicians know nothing of it.  Ready?

Surprise me.

That’s it.  Place 2 and 2 right in front of my nose, but make me think I’m seeing 5.  Then reveal the truth, 4!, and surprise me.

Now, don’t underestimate me, like the rest of the magicians of the world.  Don’t fool yourself into thinking that I’ve never seen a set of linking rings before and I’ll be oh-so-stunned because you can “link” them.  Bullshit.

Here’s how surprise works.  While holding my attention, you withold basic plot information.  Feed it to me little by little.  Make me try and figure out what’s going on.  Tease me in one direction.  Throw in a false ending.  Then turn it around and flip me over.

I do the old Needle trick.  I get a guy up on stage, who examines the needles.  I swallow them.  He searches my mouth.  They’re gone.  I dismiss him and he leaves the stage.  The audience thinks the trick is over.  Then I take out the thread.  “Haha!  Floss!” they exclaim.  I eat the floss.  Then the wise ones start saying, “Not floss, thread.  Thread.  Needles.  Needles and thread.  Ohmygod he’s going to thread the need…”  And by that time they’re out and sparkling in the sunshine.

Read Rouald Dahl.  Watch the old Alfred Hitchcock episodes.  Surprise.  Withold information.  Make them say, “What the hell’s he up to?  Where’s this going to go?” and don’t give them a clue where it’s going.  And when it finally gets there, let it land.  An ending.

It took me eight years (are you listening?) EIGHT YEARS to come up with a way of delivering the Miser’s Dream that had surprises and and ENDING.

Love something besides magic, in the arts.  Get inspired by a particular poet, film-maker, sculptor, composer.  You will never be the first Brian Allen Brushwood of magic if you want to be Penn & Teller.  But if you want to be, say, the Salvador Dali of magic, we’ll THERE’S an opening.

I should be a film editor.  I’m a magician.  And if I’m good, it’s because I should be a film editor.  Bach should have written opera or plays.  But instead, he worked in eighteenth-century counterpoint.  That’s why his counterpoints have so much more point than other contrapuntalists.  They have passion and plot.  Shakespeare, on the other hand, should have been a musician, writing counterpoint.  That’s why his plays stand out from the others through their plot and music.

I’m tired now.  I’ve been writing to you, my dear bastard son, for 45 minutes merely because, tonight, I’m remembering that evening I first met your mother in Rio, during Carnival…ah!…and how we loved!

paternally,

TELLER

 

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On Anti-Intellectualism and Examining Both Sides

Since Al Gore made his premature concession to George Bush in November of 2000, there has been a steadily growing cry that a good half of the United States is comprised of anti-intellectual buffoons.   How else could the right simultaneously profess conflicting ideologies, decry technocratic rule, and plug their ears and close their eyes in the face of what simply amounted to settled science.

Ah, if only the world were so simple.  As with most things, it takes much more work to delve into the reasons behind someone’s actions or beliefs, but doing so allows a much greater understanding, both of the others’ ideas and your own.  Note that this isn’t really about right v. left.  The right, of course, makes eerily similar claims about the left, though couched in different terms.  The point, as usual, is to develop the habit of asking deep questions.

A great post from Hacker News, now nearly a year old, illustrates how you might examine the anti-intellectual claim from the reverse side:

Part of the problem is that the American distrust of intellectualism is itself not the irrational thing that those sympathetic to intellectuals would like to think. Intellectuals killed by the millions in the 20th century, and it actually takes the sophisticated training of “education” to work yourself up into a state where you refuse to count that in the books. Intellectuals routinely declared things that aren’t true; catastrophically wrong predictions about the economy, catastrophically wrong pronouncements about foreign policy, and just generally numerous times where they’ve been wrong. Again, it takes a lot of training to ignorethis fact. “Scientists” collectively were witnessed by the public flipflopping at a relatively high frequency on numerous topics; how many times did eggs go back and forth between being deadly and beneficial? Sure the media gets some blame here but the scientists played into it, each time confidently pronouncing that this time they had it for sure and it is imperative that everyone live the way they are saying (until tomorrow). Scientists have failed to resist politicization across the board, and the standards of what constitutes science continues to shift from a living, vibrant, thoughtful understanding of the purposes and ways of science to a scelerotic hide-bound form-over-substance version of science where papers are too often written to either explicitly attract grants or to confirm someone’s political beliefs… and regardless of whether this is 2% or 80% of the papers written today it’s nearly 100% of the papers that people hear about.

I simplify for rhetorical effect; my point is not that this is a literal description of the current state of the world but that it is far more true than it should be. Any accounting of “anti-intellectualism” that fails to take this into account and lays all the blame on “Americans” is too incomplete to formulate an action plan that will have any chance of success. It’s not a one-sided problem.

If you want to fix anti-intellectualism, you first need to fix intellectualism and return it to its roots of dispassionate exploration, commitment to truth over all else and bending processes to find truth rather than bending truth to fit (politicized) processes, and return to great, foundational humility that even the press could not overplay into hubris. And they need to drop their blinders whereby they excuse away the damage that intellectuals have done while ignoring these ancient precepts and only crediting themselves their successes, because it cuts themselves off from the very object lessons that could help them return to this time-tested approach to science, which they still flatter themselves that they follow. If you fail to fix the intellectuals first, then all your effort to fix “Americans” is going to fail; you’ll bend your efforts towards getting them to look at intellectuals seriously, but they’ll end up coming to the same conclusions they already have about the value of intellectuals and you’ll have wasted your shot.

I’m not holding my breath.

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